What is the significance of structure in 'The Kite Runner'?
‘The Kite Runner’ is a novel which stands
out for its uniqueness in structure and the variation with which it uses events
and other happenings to keep the reader interested until the very end. The
structure follows a conventional scheme with exception of a few instances where
there are time-shifts and the use of letters makes us feel we have gone back in
time.
Hosseini has used a chronological
time-scheme throughout the book, and jumps time only in highly significant
parts of the novel. The first chapter is set in December 2001, which is the
‘present’ throughout the story. It ends at the same time, somewhere around
December 2001 – this is what makes the structure of narrative in ‘The Kite
Runner’ quite unusual. We then go back in time and learn of Amir, the
narrator’s past and how he spent his childhood back in Kabul, Afghanistan.
As the story progresses, we reach the first
dramatic climax of Hassan’s rape. For quite some time, the story concentrates
on the hardships Amir and Hassan go through after that period. Later, the
narrative drifts away from Afghanistan and shifts to America, where Baba and
Amir gain political asylum – Ali and Hassan leave the house much earlier out of
misunderstanding between Hassan and Amir. Momentarily, the plot seems to
revolve around a young man’s hardship in a new land, and vaguely comes across
as an immigrant story.
Much later, a call from Rahim Khan, Baba’s
best friend, changes the entire plot. He requests Amir to go see him in
Pakistan, as a dying man’s plea. After this, the pace picks up to such a rate
that the novel almost turns into a thriller and the dramatic events do not
disappoint the reader. Amir gets a chance to make up for his ‘unatoned sins’ –
as Rahim Khan says, “There is a way to be good again.” The moral issues that
had earlier taken a setback come back in double measure, and it is gratifying
to see Amir fight the battle for redemption.
Small events such as Baba’s love for Amir
and Hassan can be seen again in the form of Amir’s love for Sohrab. Hosseini
has consciously crafted these events so as to make the story satisfying as a
whole. Similarly, we see Hassan’s threat of turning Assef one-eyed come true
when Sohrab instinctively aims for Assef’s eye with his slingshot; it almost is
prophetic. The recurrence of the hare-lip; first in Hassan and then in Amir
brings out the theme of suffering. ‘Smiling’ also has a large significance in
this story – Hassan’s smile always conveyed joy and faith, and we see his son
Sohrab smiling at the end of the story, hinting to the reader that everything
after that turned out to be eventful.
Overall, the structure in ‘The Kite Runner’
has proved to be an extremely vital part of the book. Hosseini has used this to
his advantage so as to make the plot more interesting and to give it the
required depth at relevant points in the novel. All of this adds up to make one
of the classics of its time.
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